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Quit Bitchin'

Sound Modeling with MAPP 3D Software

The MAPP 3D predictions below represent a proscenium configuration, with the audience seated on the stage facing upstage. The goal of this system design was to create a hemispheric surround system, using the space behind, beside, and above the audience to place loudspeakers, localize sound, and allow music and vocal effects to fully encapsulate the audience. Since the speakers could be used as part of a system or individually, it was essential that each one provided adequate coverage on its own. In these predictions, we look for minimal change in frequency color across the seating area, with red and orange indicating the ideal decibel coverage.

QB_VOX_4khz_GP_edited_edited.jpg

Optimal sound coverage shown for the audience area was provided by two d&b Q10 loundspeakers serving as the main Vocal System.

QB_HL Rear Surrounds_4khz_GP_edited.jpg

Optimal sound coverage of the audience area from the House Left rear surrounds, from four Meyer UP Junior loundspeakers.

QB_Onstage Surr_edited_edited.jpg

Optimal sound coverage of the audience area from the loudspeaker, Onstage Surround #6.

QB_SL Onstage Surrounds_4khz_GP_UPJ-1P_e

Optimal sound coverage of the audience area from the Stage Left onstage surrounds, from four Meyer UPJ-1P loundspeakers.

QB_HR Rear Surrounds_4khz_GP_edited.jpg

Optimal sound coverage of the audience area from the House Right rear surrounds, from four Meyer UP Junior loundspeakers.

QB_HR Rear #8_SECT_edited.jpg

Optimal sound coverage of the audience area from the loudspeaker, Rear Surround #8.

QB_SR Onstage Surrounds_4khz_GP_UP Junio

Optimal sound coverage of the audience area from the Stage Right onstage surrounds from four Meyer UPJ-1P loundspeakers.

QB_Overhead Speakers_4khz_GP_edited.jpg

Optimal sound coverage from two overhead Meyer UPM-1P loudspeakers angled down at the audience area.

QB_rear Surr 4_4khz_Sect_edited.jpg

Optimal sound coverage of the audience area from the loudspeaker, Rear Surround #4.

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